经过了四轮的设计，这个在北京昌平一个柿子林中的项目终于聚焦在看与被看这一对关系上：由于建筑周围有优美的自然环境，于是房间或房间组被作为取景器来设计取景器-房间之间，有时是中间，则是保留下来的柿子树。建筑与景观又相互融合了，建立起与基地之间的另一重关系。将九个的取景器-房间倾斜程度不同的屋顶整体看待，建筑顶部便出现了一个起伏的相对复杂的拓扑接口；也许可以认为是一个人造的地景，与基地周围的山峦呼应；也许又可以作为以当代的建筑语言翻译传统中国建筑坡顶形式的一次尝试。一个院落四周建筑的屋顶大小变化本身便包含了拓扑关系。在柿子林，取景器是决定屋顶形式的先决，而对中国传统建筑群体屋顶的观察提供了最终的参考。柿子林别墅/会馆采用与取景器空间完全吻合的、不平行石夹混凝土承重墙与混凝土反梁结合的结构体系，结构是建筑不可分割的一部分。石料为就地取材的花岗岩。长期以来，鉴于前辈建筑师在中国建筑的形式与形象方面做了大量的深入的工作，非常建筑则将对传统的探索转向空间和建造等问题，对形式与形象一直没有形成切入点。群体屋顶拓扑目前是我们形式工作的突破口，向建立中国建筑的当代性与地域性全面推进。
The client is a developer couple with two children and they have acquired a piece of land in the adjacency of the Ming Tombs outside Beijing
to build a house with extensive programs from cinema to indoor swimming pool and with the intention to use the facilities also as a club.
The building site used to be an orchard for persimmon trees surrounded by mountains. To fully engage the sceneries in the area,
the architecture design takes the rangefinder as concept and nine tapered spaces are oriented towards nine different views. The roofs
slope to complete these perspectival rooms while to interpret the traditional Chinese architectural forms in a topological way.
By the same token, a rolling artificial landscape is created on the rooftop which echoes the hilly terrain nearby. The structure of
the building is a concrete sheer wall and beam system with local granite clad on the outside of the walls and dark cement tiles on the roofs.
The existing persimmon trees are preserved to punctuate the house.