文学与建筑的表现来自截然不同的尺度和方式。文学不固定的视象元素，蕴藏着延伸至超现实和幻想世界的无限可能性- 时间及空间可以被支配，自然定律也可以被扭转。建筑与之相比，却体现了一定的准确性和复杂性。建筑师为无形的尺度创造出实体的空间。两者分别代表了两个极端。本作品定位于两极的交点，透过话剧和建筑模型两个不同的表达方式来同时演绎，表现一个互动式和多尺度的理解和想象方法。话剧会当作项目的引擎，而建筑模型则作为一个引起联想和思考的框架存在。
本作品的表现不单是为建筑设计提供一个另类的思考方式，同时也为多尺度的现实世界作一个交叉的表现，亦为文学和建筑探索新的关系和思考尺度。
Architecture and literature represents two fundamentally distinct form of representation. Given the absence of the image, literature on one hand, extends an unlimited range of possibilities to the surreal and fantastical world. Time and space can be manipulated, laws of nature can be tweaked. Architecture on the other hand, embodies a certain precision and intricacy. The physical manifestation of space, also adds a layer of objectivity and definition to the naked eye. Arguably, these two discipline represents two extreme polarities.The project positions itself in the middle ground where these two polarities ambiguously meet and attempts to deliver a collapsed representational model that forms new interpretational dimension- The project simultaneously presents itself in two parts: the written play as the engine for the project, and the architectural model as a loose framework for viewers to liberate their imagination.
This project not only attempts to provide an alternative insight to design, at the same time it manifests a juncture between multiple realities and aims to explore new relationships between literature and architecture.